The sculptor Anusapati is a legendary figure within Indonesian art. Going beyond the presence and looking to the future, Anusapati creates timeless works. Using natural and seemingly modest materials, the artist imbues his creations with deep philosophies to create complex works.
Anusapati is part the first generation of Indonesian artists to show their work internationally and to engage with the global art scene. He not only played a part in introducing contemporary Indonesian artists, but Asian artists in general, to the international art world. Anusapati’s use of natural materials and exploration of traditional shapes served as a noted example of artistic styles from a non-Europe country or Western cultures on the world art stage.
Besides his sculpture work, Anusapati is also known for his minimalist charcoal images. The works contrast black blotches, or shadows, against white surfaces and present a nuanced representation of the relationship between humans and nature. Anusapati’s drawings are extremely zoomed in detailed images of a larger picture (usually foliage and other natural materials that he uses in his sculptures) and is often abstract.
Pointed Object - Anusapati
The contrast he creates between the light and dark inspires viewers to contemplate the spaces between. The empty white areas are reminiscent of sunrays slipping through the leaves, delivering light and life.
Anusapati lives and works in Yogyajarkta. Aside from creating his own work, he is also an instructor at the Indonesian Institute of the Arts, Yogyakarta.
We take a first look at the hotel and its island setting
The latest addition to the Katamama community is Kaum, a new restaurant at Potato Head Beach Club offering diners a taste of Indonesia’s culinary origins.
Wimo Ambala Bayang began his artistic journey studying photography at the Indonesian Institute of the Arts, Yogyakarta.
The first step in creating the bricks is to sieve paras, a fine stone powder sourced locally in Bali.
Performance artist Melati Suryodarmo spends part of her time in the Indonesian city of Solo, located close to Yogyakarta.
At Katamama, it is the task of our pemangku (priest) to craft our daily offerings and maintain the spiritual balance of the hotel grounds.